Within a number of Slavic electronic recordings this week, desire is an enduring theme. Alternatives to dull actuality are sought in local forests, on distant shores, or within classic literature of the Nineteenth Century.
A number of new recordings concern themselves with the passage of time. That central theme leads to a growing nostalgia, motifs taken from childhood, and various audible aspects of cassette culture.
Looking for inspiration, these four new recordings often turn to the sound of prior decades. They also invoke distant places, ranging from the UK, France, or Spain to Romania and South Africa.
Several new Russian and Ukrainian recordings are framed by talk of professional difficulties. Failings in the outside world are countered with calm acceptance and an emphasis on introspection.
Romantic metaphors inform these new recordings, all borrowed from discussions of open forests, boundless oceans, and "schizoid" thought. Daily life, however, stubbornly refuses to cooperate.
As Yungchen Lhamo and Anton Batagov promote a collaboration grounded in Tibetan prayers, other Russian artists have a different view of distant places. Hope and horror begin to alternate.
Moscow's Electrosound label has gathered seven drone or dark ambient compositions together. They are designed to evoke a sense of unease; slowly it becomes clear where such worries originate.
Overcamps are a young Moscow duo who declare their membership "within the capital's underground scene." For various reasons, that sense of dignified retreat proves widely appealing.
Moscow's Anise Project is fronted by Anna Volkova. She speaks of how adult experience tempers youthful fantasy. Some causes of that local fatalism are sought by other collectives in folklore.
Originating in Minsk, Saint Petersburg, Yekaterinburg, and Moscow, four new publications discuss the strange benefits of faltering and failure. In a mundane world, mistakes are a sign of uniqueness.