Moscow's Brinstaar stands behind a new publishing venture, Kota Records. Over the course of several recent interviews, he establishes an elegant worldview with which to counter the mainstream.
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.
The Petrozavodsk duo Love Cult have just announced they'll be writing one track each day - for an entire year. Other new projects, such as Moscow's Rhizome, express similar forms of private industry.
"When I compose, I simply turn off my brain and surrender to a flight of fancy. It's something elusive. It happens all of a sudden, spontaneously... it's what you might call 'improvisation of the heart and soul.'"
Novosibirsk's Zimne have released a second LP of metaphysical trip-hop. These new songs combine the core themes of earthbound romance, distant galaxies, and a painful gap between them.
Sugar God (Evgeny Pozdnyakov, Moscow): "I've tried to create the atmosphere of being in outer space, or of a bird's flight. It's a combination of romantic solitude and nostalgia"
The next release from FFM is a republication - of a wonderful, rarely recognized EP from Galya Chikiss. "Without Oxygen" is full of northern folklore, but has direct connections to the here and now.
Darya Shakhova (aka The Owl) Novosibirsk: "I like all music… except completely idiotic styles, of course! I even like high-quality pop stuff. If something is made with heart and soul, then you'll feel it..."
"As I was writing these Empty Patterns tracks, I imagined all kinds of empty buildings to myself. They included large and vacuous halls, in the center of which a gramophone was playing..."
Within a number of Slavic electronic recordings this week, desire is an enduring theme. Alternatives to dull actuality are sought in local forests, on distant shores, or within classic literature of the Nineteenth Century.