The Los Angeles label Not Not Fun has just published a compilation of six female electronic artists. Resident in both Russia and Ukraine, they offer a peaceful, creative alternative to recent events.
Grave Board Clan is a Belarusian collective of electronic musicians, founded ten years ago. They just published a major "Sample Pack," designed to showcase the GBC and encourage collaborations.
From a series of Russian and Ukrainian towns, four new releases investigate the benefits of solitude. Introspection leads to a different type of self-promotion, in which anonymity and silence are key.
Several key reference points connect these projects. Some of them originate in Poland, while others take us to Ukraine. Bolder still, however, is the overarching desire of these performers to leave home altogether.
One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.
Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
In a world of adult responsibilities, urban anxiety, and other challenges, the spontaneous nature of childhood experience can seem very appealing. Four new recordings look back to a simpler time and place.
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.