Four new albums from Lithuanian and Russian performers lead to different interpretations of an LP - and why that format even matters any more. The answers, it transpires, depend on location and genre.
An air of social disappointment hangs over these recordings, made primarily in Saint Petersburg. As adult experience appears to offer little, the importance of prior cultural landmarks only starts to grow.
In a world of adult responsibilities, urban anxiety, and other challenges, the spontaneous nature of childhood experience can seem very appealing. Four new recordings look back to a simpler time and place.
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
St. Petersburg ensemble Iamthemorning have announced a new EP that builds upon some Ophelian motifs from prior recordings. The same symbolism of wistful demise appears in other towns, also.
Two of these ensembles borrow from a folk heritage; the other two have their roots in recent rock music. The former pair manages to foster a sense of optimism; the latter falls to growing fatalism.
The Schilling Music Festival in Estonia likes to advertise itself in terms of a quiet retreat from showbiz. Nonetheless, several of the local bands embody a spirit of professional persistence.
The importance of folkloric narratives and a premodern ethos endure for some Russian and Estonian performers. In each case, the allure of yesterday is imagined as some vaguely perceived source of light.
Following a series of awards in the Belarusian press, we look at four projects from around the country. What has rock music meant to them and does it still have any connection to the past?
The new film from Renata Litvinova and Zemfira involves much discussion of death as a tantalizing passage. For other artists, far from Moscow, physical distances take on an equally striking metaphysical air.