From Kiev, Yerevan, Moscow, and Kazan, a range of new publications all turn to distant objects of desire. Whether that distance is temporal or spatial, it always implies dissatisfaction with the present.
The Saint Petersburg duo VEiiLA uses some mythical figures to explain the power of sound over ostensible reality. Any ability of music to counter local misery, however, depends very much on one's location.
Disenchanted with their hometown experience, a number of rock outfits prefer imagination to actuality. Inspiration is found in bedroom solitude, post-Soviet gangster bravado, and even some Buddhist tenets.
Against the backdrop of recent geopolitical events, one might understand why minorism would have a marked appeal. Four collectives from Russia, Ukraine, and Estonia place smallness front and center.
A few days ago, the Belarusian magazine Experty.BY announced a series of awards, dedicated to the best domestic music of last year. A wide range of prizes were involved, defined in terms of format or genre.
Two new releases from FFM originate in distant places: Novosibirsk and the Kola Peninsula, above the Arctic Circle. In both cases, the musicians' address brings more benefit than inconvenience.
A new Moscow EP brings together four ensembles all fronted by women - in order to celebrate March 8th. More important than either love or romance, it seems, are a range of related social issues.
A couple of Saint Petersburg projects find common philosophical ground in two areas. Both are saddened by the woeful potential of actuality - and then turn to their hometown for some time-honored forms of reverie.
Two new releases, both connected to Moscow life, declare the appeal of a slacker's worldview. A couple more, from Kiev and Saint Petersburg, have greater faith in the importance of hard work and daydreams.
From a series of Russian and Ukrainian towns, four new releases investigate the benefits of solitude. Introspection leads to a different type of self-promotion, in which anonymity and silence are key.