All the way from Tallinn to Kazan, a selection of new recordings consider the value of escapism and/or imagination. A growing disappointment with the here and now only makes fantasy work harder.
The Russian music festival Stereoleto is about to start in Saint Petersburg. We examine some ideas behind the event's success and endurance. A link between diligence and dreams quickly emerges.
This year's Schilling Festival is about to start in Estonia. There's a special overlap between the festival's philosophy and the worldview of several Estonian bands taking part. Ideals and actuality coincide.
As material constraints frustrate a number of young Russian musicians, thoughts turn to various kinds of ascent. Poems are dedicated to movement above the rooftops - and even into the stars.
Amid discussions of a museum celebrating the Leningrad Rock Club, four young rock bands from Russia and Ukraine publish new material that doubts those early, social goals. Civic plans are now private.
Four new rock publications from Russian cities consider the likelihood of subversive song-writing in a culture where the weight of history seems great. Thoughts of sedition morph into acceptance.
In a range of new recordings from Moscow, Yekaterinburg, and Chelyabinsk, aimlessness comes to the fore. These young musicians have scant faith in social progress: "uselessness" becomes their goal.
The need for young musicians to hold down a couple of jobs can be trying. Related material complications lead, over time, to a celebration of immaterial values, such as wistfulness and a slacker ethos.
Hoping to develop their careers in a meaningful fashion, these bands consider writing uplifting or consoling love songs. Reality, however, unfolds in strange ways and fosters a less optimistic outlook.
Overcamps are a young Moscow duo who declare their membership "within the capital's underground scene." For various reasons, that sense of dignified retreat proves widely appealing.