Vmgnovenijah are a trio: Sasha Stroganov (guitar/vocals), Svyatoslav Vershinin (drums/percussion), and Pavel Klushnik (bass). Their ornate, almost unpronounceable stage-name is actually a deliberately odd combination of two words in Russian, which - when placed equally close in English - might read "Inmoments."
As socioeconomic realia impinge more and more upon private experience, the call for both difference and dignified dreaming sounds louder.
New garage, stoner, and doom rock recordings express a growing tension between dreams and actuality. The responses range from desperation to indifference.
Several new rock recordings, all the way from Saint Petersburg to Simferopol, express doubts about grand spectacle. Better, smaller forms of interaction are found both in memories and on stage.
As the socioeconomic and political situations grow more challenging in Russia and Ukraine, new rock recordings turn away from civic actuality - towards introspection and psychedelia.
Fading faith in modern life or politics leads these ensembles to look elsewhere for superior values. Better ideas are found in shamanistic culture, experimental drugs, and other distant realms.
This Siberian trio comes from the city of Tomsk. The local scene is not promising, yet that brings a strange advantage. In a place where there's nothing to gain, there's also nothing to lose.
Four bands from Tashkent, Vladivostok, St. Petersburg, and Samara ponder the meaning of subversion. What defines a "rebellious" spirit and should it be directed against social failings?
Four young bands embody a spirit of protest, yet they're unnerved by the feeling that rebellion rarely changes anything. That combination of outrage and anxiety leads to a healthy self-irony.
Four lo-fi and garage recordings consider their relationship to rebellion. Is the deafening racket of a garage tradition suggestive of freedom - or an inability to escape actuality?