In four new recordings from Russia and Belarus, thoughts of the future predominate. As tomorrow looks unpredictable, childhood and adolescence gain a special importance.
Two all-female Russian outfits sing of human relations with bittersweet humor. Placed together with other releases this week, their knowing smiles become an overarching social skepticism.
As new recordings appear for dance floors across Russia and Ukraine, one would expect hedonism and jollity to predominate. The challenges of a touring musician quickly change the mood.
New dancefloor publications from both solo artists and ensembles this week underscore the importance of support systems, either in childhood or when professional obstacles loom later on in life.
As a handful of new recordings play upon elements of Western hip-hop, 8bit, chill-out, and other styles, one constant theme remains. No matter the desire to sound globally aware, a local focus endures.
A range of new electronic recordings consider the relationship of sound and space, in terms of escaping one's surroundings. To what degree does noise manage to cancel out ostensible experience?
Looking for inspiration, these four new recordings often turn to the sound of prior decades. They also invoke distant places, ranging from the UK, France, or Spain to Romania and South Africa.
Four instrumental producers from Minsk and St. Petersburg see their newest works as an alternative to frustrating, if not awful reality. The worse actuality appears, the more they fantasize.
Seventeen promising DJs, performers, and producers from Latvia, Lithuania, and Estonia come together in order to improve the general atmosphere of collaboration. A common worldview transpires.
Several electronic publications look back on a fledgling, post-Soviet internet with nostalgia. The sounds and graphic art of the 1990s recall a time when kinder, more inclusive networks might replace ideology.