A range of new electronic recordings consider the relationship of sound and space, in terms of escaping one's surroundings. To what degree does noise manage to cancel out ostensible experience?
Looking for inspiration, these four new recordings often turn to the sound of prior decades. They also invoke distant places, ranging from the UK, France, or Spain to Romania and South Africa.
Four instrumental producers from Minsk and St. Petersburg see their newest works as an alternative to frustrating, if not awful reality. The worse actuality appears, the more they fantasize.
Seventeen promising DJs, performers, and producers from Latvia, Lithuania, and Estonia come together in order to improve the general atmosphere of collaboration. A common worldview transpires.
Several electronic publications look back on a fledgling, post-Soviet internet with nostalgia. The sounds and graphic art of the 1990s recall a time when kinder, more inclusive networks might replace ideology.
Four very different recordings from Russia and Latvia ponder the meaning of a "provincial" location. Some of them fall to black humor or despair; others, however, discover rare comfort in romance.
Electronic works from St. Petersburg, Izhevsk, and Moscow play upon themes of improvisation, accident, and chance. The more that logic is removed from stagecraft, the greater the likelihood of revelation.
A series of Russian and Estonian electronic recordings this week are dedicated to the appeal of a distant, "absent" youth. That same distance from adulthood can, however, become anonymity.
Four electronic recordings focus this week upon the likelihood of daydreaming. Drawing upon children's literature and revolutionary history, they ponder the gap between fact and fiction.
Understated material from St. Petersburg, Rostov-na-Donu, Kiev, Dnipropetrovsk, and Tallinn all speaks to the enduring significance of whatever operates beyond the purview of a dictionary.