Five new albums from the Moscow folk label Sketis manage to interweave a wealth of different times and traditions. Those linkages grow in importance as society refuses to show the same inclusiveness.
An interwoven network of musicians in Saint Petersburg unveils a series of publications––almost simultaneously. Perhaps unsurprisingly, they all share common ideas and convictions.
As a number of Russian, Belarusian, and Ukrainian artists consider their future plans, it transpires that the most hopeful songs grow from the greatest failures. Frustrations breed aspirations.
Although small, the town of Nalchik in southern Russia lies in a vitally important region. It sits at the bottom of the Caucasus Mountains, not far from Beslan. Here we find Ored Recordings.
In four new recordings from Russia and Belarus, thoughts of the future predominate. As tomorrow looks unpredictable, childhood and adolescence gain a special importance.
One of the most enduring motifs of Soviet culture within Russian popular music has been the so-called "Space Race"––the competition between Moscow and Washington to explore the cosmos.
This week a handful of recordings in Lviv, Novosibirsk, and Omsk all struggle to remain optimistic. A number of material obstacles stand between a sunny view of the future and its realization in actuality.
From Latvia, Lithuania, and Russia, four new releases appear, all inspired by a hip-hop tradition. They also voice a connection to other musical events of prior decades - together with their social impact.
As a British newspaper suggests that nostalgia in Russian popular music is inherently political, an alternative viewpoint arises. Many young artists fondly recall a time, rather than an ideology.
As a handful of new recordings play upon elements of Western hip-hop, 8bit, chill-out, and other styles, one constant theme remains. No matter the desire to sound globally aware, a local focus endures.