In Moscow, St. Petersburg, Perm, and Krasnodar a range of programmatic statements emerge from disparate musicians with new work. They all champion the creative process over any crude, material consequence thereof.
A Moscow EP and a Kiev LP together offer a dancefloor philosophy in troubled times between Russia and Ukraine. The five artists involved suggest that private virtues might improve public norms
Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.
Four new dance releases from around the Russian capital seek an escape from the daily grind. Increasingly, however, a pessimistic view of the future makes prior decades an attractive reference point.
The extremely gifted producer known as Vtgnike has been arrested and imprisoned in Vladimir. We consider the situation, describe his current scene, and offer some ways in which people can help.
ABC Galaxy (Roman Skarednov, Izhevsk): "The 'Captain Eureka' album is an attempt to combine motifs of euphoria, pleasure, panic, and horror. There are parallels with the current economic state in Russia"
Spotovsky (Saint Petersburg): "Everything's designed for psychedelic dancing... by people who are sitting down. This is the soundtrack to a game of hide and seek - with your own echo"
New dancefloor publications from Russia and Ukraine this week touch upon the theme of hard work. It seems that elbow grease guarantees little; even the most diligent souls need an occasional miracle.