A couple of northern projects look with fondness at Soviet culture, given the failings of the present day. More powerful than childhood retrospection, however, is the invocation of an ancient tradition.
A few days ago, the Belarusian magazine Experty.BY announced a series of awards, dedicated to the best domestic music of last year. A wide range of prizes were involved, defined in terms of format or genre.
Two releases from Yekaterinburg and Petrozavodsk operate in different realms, yet find common inspiration. The silence of the night sky is peopled with cosmonauts and medieval angels.
A couple of Saint Petersburg projects find common philosophical ground in two areas. Both are saddened by the woeful potential of actuality - and then turn to their hometown for some time-honored forms of reverie.
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
2muchachos, based in the town of Cherepovets , turn the crackle and rustle of a tape-music aesthetic into the soundtrack for small-scale botanical bustle.
Darya Shakhova (aka The Owl) Novosibirsk: "I like all music… except completely idiotic styles, of course! I even like high-quality pop stuff. If something is made with heart and soul, then you'll feel it..."
In the city of Samara is a female choir led by Dmitrii Kolevatykh: Roundelay. This substantial, shifting lineup of young women creates a sound unique within modern Russian music.
Marble Boy are a duo from the Ukrainian city of Kharkiv: Anton Shatokhin and Maria Demenko. Recent events at home are tangentially reflected in the private emphases of a new EP, entitled "Notion."