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Joyful Change and Transience: Grave Board Clan's "Sample Pack" (Belarus)
Grave Board Clan is a Belarusian collective of electronic musicians, founded ten years ago. They just published a major "Sample Pack," designed to showcase the GBC and encourage collaborations.
Ideals from Nowhere: Suokas, Tram Drivers, Tsunadem, and Wick Blaze
The importance of silence and solitude appears in four new publications. They emerge across considerable distances, all the way from some lightless forests in Karelia to the quieter, cobbled streets of Ukraine.
Abstract Worlds: Ewan Limb, Filatique, Moonscape, and Phil Anker
One might think that a challenging social environment would lessen the appeal of romantic wistfulness among young artists. A hard life might breed resignation or greater pragmatism. Nothing of the sort.
Despite It All: Cooper Phillip, Baikal, D-Pulse, and Grisha Liubit Grusha
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
Kings of Empty Dancefloors: Korablove, Swaves, Luka, and Cao Sao Vang
Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
Starting Again: Viljandi Guitar Trio, Alpha-Beta, Wols, and Nikita Bondarev
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
In Situ: Sasha Nevolin, Aanbreken, Former Employees, and Deep Shoq
A range of new electronic recordings consider the relationship of sound and space, in terms of escaping one's surroundings. To what degree does noise manage to cancel out ostensible experience?
Fuselab Wistfulness: Galun, Nienvox, Frunk29, and Summer of Haze
Four new LPs from the wonderful Fuselab label compare two different experiences. They evaluate social potentials in 2014 relative to both nostalgic memories of the 1970s and the peacefulness of a non-urban address.
Dadaisme: "Dasein Mosaic" (Togliatti and Moscow, FFM31)
Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
SV Hutor: The Eponymous Album (Sterlitamak, FFM29)
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.
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