Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.
The Petrozavodsk duo Love Cult have just announced they'll be writing one track each day - for an entire year. Other new projects, such as Moscow's Rhizome, express similar forms of private industry.
"When I compose, I simply turn off my brain and surrender to a flight of fancy. It's something elusive. It happens all of a sudden, spontaneously... it's what you might call 'improvisation of the heart and soul.'"
"As I was writing these Empty Patterns tracks, I imagined all kinds of empty buildings to myself. They included large and vacuous halls, in the center of which a gramophone was playing..."
Romantic metaphors inform these new recordings, all borrowed from discussions of open forests, boundless oceans, and "schizoid" thought. Daily life, however, stubbornly refuses to cooperate.
Moscow's Electrosound label has gathered seven drone or dark ambient compositions together. They are designed to evoke a sense of unease; slowly it becomes clear where such worries originate.
A number of tech-house and dub techno releases this week speak fondly of solitude. Both isolation and introspection have a unique significance for those who work online.
Performers from Moscow, Novosibirsk, Pskov, and Sevastopol cast a doubting eye on modern society. As a result, their materials grow quieter in anticipation of better, more isolated realms.
Discussions transpire this week regarding the ways in which electronic music lacks an evident center online. Over time, however, the strange benefits of decentered enterprise become clear.