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Firestorms on a Wounded Landscape: Ivan Erofeev and Zavoloka
Recent industrial publications from Kiev (via Vienna) and Moscow (via Omsk) juxtapose a factory-floor aesthetic with regional, chronically ailing networks
A Refusal to Choose: Cadeu, Sal Solaris, Alexey Volkov, and Apex Sphere
New techno from Belarusian and Russian towns describes itself in neo-Marxist terms, as a repetitive or quantitative choice leading to qualitative change
Two Teachers, Shoulder to Shoulder: Anton Maskeliade and Valotihkuu
New publications from Anton Maskeliade and Valotihkuu have a pedagogical intent. The former artist is actually a teacher; the latter hopes to champion the importance of noiseless humility.
Solo: Arizona Dream, A. Zaitsev, Sweet Mountains, Vejopatis & Giriu Dvasios
A range of new electronic recordings from Russia and Lithuania find increasing appeal in solitude. Belief and ideals both need seclusion.
Fantasia versus Nothing: Smokey Hill, Delete, Sotus, Honey & Heavenchord
Four days after teachers in Dagestan were told their job has no inherent worth, various new recordings investigate fantasy and (absolutely) nothing.
Two Kinds of Anonymity: Paul Menska, x.y.r., IC3PEAK, and Milky Toad
Russian social networks are home both to shyness and subversion. Some artists seek nameless refuge, while others plan loud protest––from nowhere.
Heavy Industry and Introspection: Hiroshima Toy Pet Records (Omsk)
From one industrial city in Southern Siberia comes a wide range of noise experiments, informed by their social surroundings. Clamor fades into calm.
Discreet Stanzas: Anton Malinen, Grebenshchik, Gaya Marina & "Bo i Bro"
Four new acoustic releases have roots in very diverse towns, all the way from Magadan to Kharkiv. What they share is a desire to hide from crude actuality.
Siberian Flight: Bisamråtta, Foresteppe, and the New Klammklang Tapes
Krasnoyarsk's Klammklang label has become the region's primary outlet for tape music. What, however, is the rationale or philosophy behind such an outmoded format in 2016?
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
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