Headlined by Atom™'s 'Double Vision' live, Ricardo Villalobos, Pharmakon, Nina Kraviz, Rhadoo, and Daniel Avery, the Outline Festival will operate across three outdoor scenes and two arenas - inside some industrial buildings
New electronic recordings from Belarus, Russia, and Ukraine - via Berlin - question the liberties of commercial and noncommercial enterprise. The same questions are framed ecologically.
Four solo electronic projects from different Russian cities display varying degrees of displeasure with actuality. As faith in civic promise dwindles, the need for wistfulness to provide a valid alternative grows.
The Mental Force Music Festival takes place in Minsk on May 22-23. It is designed both to showcase the best of Belarusian electronica and discover some productive overlap with Western colleagues.
Empty realms, such as the forests of Karelia, have differing meanings for these artists. Nonetheless, a shared conviction transpires that movement into nothingness at least symbolizes potential.
Two recurring reference points in Slavic electronica are childhood and the open landscapes that symbolize an early liberty. Four new releases interweave these motifs, whilst mourning the clamor of modernity.
Two releases from Yekaterinburg and Petrozavodsk operate in different realms, yet find common inspiration. The silence of the night sky is peopled with cosmonauts and medieval angels.
Two new releases from FFM originate in Moscow and Kiev. A couple of solo performers travel parallel trajectories from self-doubt to a less disconcerting state, somewhere on the edge of aspiration.
All the way from Rome to Moscow and Sochi, four new electronic recordings look askance at social convention. Some respite from tedium is found in a number of absurdist or even "terrorist" tactics
The Los Angeles label Not Not Fun has just published a compilation of six female electronic artists. Resident in both Russia and Ukraine, they offer a peaceful, creative alternative to recent events.