Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.
In a world of adult responsibilities, urban anxiety, and other challenges, the spontaneous nature of childhood experience can seem very appealing. Four new recordings look back to a simpler time and place.
The innocence of youth is treated with bittersweet retrospection in some new songs from Chelyabinsk, Tomsk, and Moscow. All of these artists imply that childhood's naivety and hope are unlikely to survive for long.
Four publications this month are dedicated to themes of transformation and metamorphosis. Despite their differing styles, they find common ground in a celebration of good-natured change.
The Sketis label is announcing a series of new albums from both Russia and Latvia. They, in turn, draw upon a melange of folk traditions, ranging all the way from Siberia's criminal past to the Balkans or Tajikistan.
Surrounded by a series of failing support systems, be they social or financial, four Russian ensembles turn to themes of family. In difficult times, thoughts of friends and colleagues grow more important.
Four new publications from Russian and Ukrainian artists juxtapose the desire to sing or perform with a likely public response. In an unforgiving social context, dare one express private views?
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.
TosyaChai is the stage-name of Tosilya Chaikina from Saint Petersburg. Until recently she performed as one half of More Oblakov. A debut solo album is now published through FFM.