Adult contemporary

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Being Social: Obe Dve, Auroraw, EXIT Project, and Maskeliade Street Studio
Moscow's Anton Maskeliade has published recordings of his "Street Studio," in which passers-by are invited to perform whatever they want. These levels of social optimism are not widely shared.
My Beautiful Laundrette: The "9:30" EP from Kobra (Saint Petersburg)
Kobra are a young and promising trio from Saint Petersburg: Pavel Doronin, Denis Korobeinikov, and vocalist Anna Lichko. Their first collaboration together evokes a specifically northern fantasy.
A Private Choreography: Mayak, Bigudi, Kai Engel, and Absorb the Sun
From a series of Russian and Ukrainian towns, four new releases investigate the benefits of solitude. Introspection leads to a different type of self-promotion, in which anonymity and silence are key.
Moving to Titan: Ink Twins, S3P, Empty Field, and The Alex Kelman Band
One of the most enduring reference points for Russian musicians over the last two decades has been outer space. The approaching New Year does little to encourage hope - and so distant planets still appeal.
Holiday Highs and Lows: The Afisha "NG 15" Compilation (Part Three)
As we conclude a third and final overview, the "NG 15" album appears in Moscow. Twenty-six performers are gathered together in order both to consider the meaning of New Year and help a children's charity.
Weightless: Lomovolokno, Xuman, Mars Needs Lovers, and Neon Lights
In Moscow, St. Petersburg, Perm, and Krasnodar a range of programmatic statements emerge from disparate musicians with new work. They all champion the creative process over any crude, material consequence thereof.
Words of Continuity and Comfort: Afisha's New Year Songs (Part Two)
The Moscow magazine Afisha continues to gather a wide range of songs celebrating the New Year. All of the performers involved juxtapose their individual hopes and dreams with the unlikely prospect of civic improvement.
Subversive Sentiments: Torba-na-Kruche, Kurara, OPAL, and Scofferlane
Against the backdrop of a Russian tradition of politicized rock songs, four collectives in 2014 look for alternative values. They tend to be immaterial, in the best - and most romantic - sense of the word.
Time-Honored Anxieties as the New Year Approaches for Afisha and Colta
Afisha and Colta are arguably Moscow's two most influential music publications when it comes to finding or fostering new talent. As December begins, they both consider the musical year ahead - with some anxiety.
Despite It All: Cooper Phillip, Baikal, D-Pulse, and Grisha Liubit Grusha
Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.
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