Four new dance releases from around the Russian capital seek an escape from the daily grind. Increasingly, however, a pessimistic view of the future makes prior decades an attractive reference point.
All the way from Tallinn to Kazan, a selection of new recordings consider the value of escapism and/or imagination. A growing disappointment with the here and now only makes fantasy work harder.
Four new releases from Moscow artists look askance at the massed workings of modernity. As a result, songs of retrospection, solitude, and even isolation have an increasing appeal.
The Russian music festival Stereoleto is about to start in Saint Petersburg. We examine some ideas behind the event's success and endurance. A link between diligence and dreams quickly emerges.
This year's Schilling Festival is about to start in Estonia. There's a special overlap between the festival's philosophy and the worldview of several Estonian bands taking part. Ideals and actuality coincide.
Moscow's Brinstaar stands behind a new publishing venture, Kota Records. Over the course of several recent interviews, he establishes an elegant worldview with which to counter the mainstream.
This Siberian trio comes from the city of Tomsk. The local scene is not promising, yet that brings a strange advantage. In a place where there's nothing to gain, there's also nothing to lose.
Our new recording from Dadaisme sports a weighty philosophical concept. Entitled "Dasein Mosaic," it is inspired by Heidegger's notion of "Dasein." Put simply, "Mosaic" is directly informed by a view of existence or being that's split between two states: selfhood and society.
A few weeks ago in May, the Siberian city of Omsk hosted a festival of street art entitled "Spaces of Multiplicity" A regional sound artist quickly planned a celebration of noise in a pedestrian underpass.
For Western observers, many locations across a Russian map - with unpronounceable names and windswept railway stations - can appear unimaginably distant. In one of those lonely places we find SV Hutor.