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Lyricism under Pressure: Naadya, Onuka, The Cancel, and KSKY
Four new publications from Russian and Ukrainian artists juxtapose the desire to sing or perform with a likely public response. In an unforgiving social context, dare one express private views?
In Situ: Sasha Nevolin, Aanbreken, Former Employees, and Deep Shoq
A range of new electronic recordings consider the relationship of sound and space, in terms of escaping one's surroundings. To what degree does noise manage to cancel out ostensible experience?
Nowhere in Particular: Biblioteka, EIMIC, February, and Blackpaperplanes
Through their use of other languages, employment overseas, and various forms of Wanderlust, these four bands work hard to ignore domestic culture. Anywhere - and anything - looks better than home.
Simple Values: New House and Tech-House Tracks from Four Nations
Sergey Shyam runs a Moscow label called "Simple Things." Its core beliefs in collegiality and understatement are mirrored in other house and tech-house cuts this month, all published very far away.
Mad, Bad, and Dangerous to Know: Fancy Music's Lermontov LP
Moscow's Fancy Music has just released a lengthy compilation album, dedicated to the 200th anniversary of romantic poet Mikhail Lermontov (1814-1841)
Fuselab Wistfulness: Galun, Nienvox, Frunk29, and Summer of Haze
Four new LPs from the wonderful Fuselab label compare two different experiences. They evaluate social potentials in 2014 relative to both nostalgic memories of the 1970s and the peacefulness of a non-urban address.
Antique Forms of Social Improvement: Šuma: "Zołak" (Minsk, FFM35)
The work of Belarusian folktronica ensemble Shuma (Šuma) is defined with an intriguing turn of phrase: "digital archaica." A new collection of remixes helps to explain that bond of tradition and hi-tech.
TosyaChai: "Dreams" (Saint Petersburg, FFM34)
TosyaChai is the stage-name of Tosilya Chaikina from Saint Petersburg. Until recently she performed as one half of More Oblakov. A debut solo album is now published through FFM.
Fate: Mutaforiya Lili, Synecdoche Montauk, Fanny Kaplan, and Weary Eyes
Four new releases by baroque- and/or chamber pop outfits ponder a common theme of self-determination. To what degree do these youngsters feel any control over their increasingly social lives?
A Retrospective Gaze: Dza, Mujuice, ZOLOTO, and Race to Space
Four new dance releases from around the Russian capital seek an escape from the daily grind. Increasingly, however, a pessimistic view of the future makes prior decades an attractive reference point.
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