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Getting There: Lena Kudrina, Kawri's Whisper, Endless Melancholy & Isea N
The theme of time is foregrounded by several new publications, but their authors remain unsure of an ideal outlook: forwards to the future––or back to a superior past?
Time to Listen: Information Ghetto, Lay-Far, Low Orbit Satellite & Tikriaeht
Four dance floor publications from Moscow, Krasnodar, Tula and––eventually––Syktyvkar are dedicated to difference. They consider the risks inherent in novelty.
Sense and Sensibility: Slackers, Red Deer, Ned Hoper & Zhenya Kukoverov
As Russia struggles with economic disarray, four rock recordings across the country ponder the role of songwriting as an alternative expression of "law and order."
Either Faith or Good Works: Ales Tsurko, AY, Equinox Flower, and Chitoon
New electronic and electroacoustic recordings from Russia and Belarus speak in doubting terms about the near future. Should one turn to faith––or good deeds?
Just One Letter: Kobra, Awlnight, Sasha Vinogradova, Mariqa & Armanjazz
A series of new publications from St. Petersburg, Moscow, and provincial Belarus all give thought to the slimmest of differences between matters "cosmic and comic."
Nowhere to Play: Glintshake, WLVS, Mooncake, & Show Me a Dinosaur
As socioeconomic realia impinge more and more upon private experience, the call for both difference and dignified dreaming sounds louder.
Quiet Introspection versus Outer Space: Noraus, Feizah, AIST, and Gxitt
New instrumental or hypnagogic recordings from Naberezhnye Chelny, Ulan-Ude, Moscow, and Dnipropetrovsk are all dedicated to silence. Dreamers need peace and quiet.
High-Frequency Pressures: Cream Soda, Mamanet, Naadya, and Filatique
Using either canonical or peripheral dance-floor sounds, four publications from Russia and Ukraine consider the growing "pressure" of stately intent upon private whim.
Improvisation: Artemiev, A. Toymintseva, M. Kutskova, and A. Rostotskaya
Four recent publications from solo artists in both Russian jazz and pop music are dedicated to themes of individual effort––and the related risks thereof.
A Shared Silence: Petlia Pristrastiia, Say My Name, Volchok & Weary Eyes
The traditions of Slavic rock are––even today––likely to be associated with wordy, political agendas. Four new recordings, however, pay more attention to silence.
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