Glintshake – Wrong Anthem
Bungalow Bums – Forgotten Street (5th Sovetskaya)
5 Vymir – All Tomorrow
TSUFA – The Shining

Latest Artists


Nizhnii Novgorod, Russian Fed.
Moscow, Russian Federation
Saint Petersburg, Russian Fed.
Moscow, Russian Federation
Moscow Region, Russian Fed.
Viljandi, Estonia
Novosibirsk, Russian Federation
Tomsk, Russian Federation
Perm, Russian Federation
Moscow, Russian Federation



Various professional and social difficulties lead four electronic musicians from Russia and Belarus to celebrate solitude, peace, and quiet. A distance from social life appears to produce superior sounds.


New recordings from Yuzhno-Sakhalinsk, Seversk, Saint Petersburg, Petrozavodsk, and Moscow all turn their attention to the passage of time. In a realm of gaudy materialism and crude pragmatism, time promises more than effort.


Cooper Phillip, as readers of FFM know, is a Los Angeles-based singer of Slavic roots. According to some well-worn stereotypes, Russian pessimism falls away once her career blossoms on a distant shore.


From Siberia to Moscow - and even Kiev - a series of new releases admit openly to the influence of Western music from prior decades. A dissatisfaction with the here and now prompts lasting retrospection.
The work of Belarus' folktronica ensemble Shuma (Šuma) is currently defined with an intriguing turn of phrase: "digital archaica." Regional or national folk traditions are sought, saved, and vivified with modern technology. The musicians' preference is for folk material that was once - purportedly - used in "pagan rituals." The past offers a greater sense of civic discipline than the present. The band's current lineup is rather lengthy: Rusia and Nadzeja Chuhunova take responsibility for vocals. They are joined and supported by musicians and sound producers Alexis Scorpio and Nick Cherny. Behind them stand Alexey Budzko (bass) and Pavel Gorbach (drums). The last of those colleagues is already well known to us from his solo work.
The Moscow band called Motherfathers have long been associated with the capital's noise and experimental rock scenes. Now, however, they are publishing a drone EP designed overtly as sonic therapy. To general surprise, the musicians suggest parallels with Coil, Chris Rea, classic techno - and the soundtrack to "Miami Vice."
TosyaChai is the stage-name of Tosilya Chaikina from Saint Petersburg. Until recently she performed as one half of local duo More Oblakov. The ensemble's remaining fifty percent was consistently represented by colleague Andrei Martynov. Chaikina's new solo recordings - entitled "Dreams" - appear against the backdrop of multiple lyric poems, both written and uploaded by the artist herself. She prefers to use those small and versified self-statements instead of anything more factual or prosaic. One of the newest Chaikina poems has stressed the appeal of fantasy and dreamlike states over ostensible reality: "Somewhere in the room, your aroma passes by. It seems there's still some wine left. I'd like to sleep a few more years in the forest - and never wake up, living in dreams."
Not long ago, some intriguing discussions were conducted in the Russian press about what's needed to launch a modern Russian record label - and who might undertake such a thankless task. Some of the examples and stories therein related to Moscow's Kota Records - founded by Brinstaar. In essence this project arose from a dissatisfaction with the status quo. "Everybody hates it when a sales person in a music store refuses to answer your questions, overcharges you, or is just plain rude. In the music industry that kind of thing happens all the time. People will refuse a demo tape, for example, or they'll not answer you letters. Some folks refuse to do anything at all! Everybody in the industry considers themselves to be so important: they only think about themselves."